India - Taj Mahal
By Red Sox Steve
Taj Mahal

Agra is a difficult city to appreciate, even for someone like me, who has only seen a portion of India. Some of Agra's streets are windy and narrow; what little sense of direction I had was lost after a few turns, and as urban areas go, there are many other Indian cities that have more to offer travelers. Agra, though, is a quick 2 hour train ride from Delhi, and is visited by millions each year for one reason: the Taj Mahal.

When I first climbed to the rooftop restaurant of my hotel to view the Taj Mahal the evening I arrived, I couldn't believe it. The sun cast an orange-pink light on the white marble mausoleum and I had to pinch myself - I was only steps away from one of the most beautiful structures in the world. As the sun started to set, the white marble began to adopt a grayish hue. In the foreground, the Darwaza-I-Rauza ("Great Gate"), made of sandstone, stayed a consistent red, its steadiness contrasting with the rapidly changing color of the marble tomb. Tomorrow would be an unforgettable day.
The next morning, I again marveled at the Taj Mahal from the rooftop restaurant as the sun started to cover it like a blanket. I took a few more photos and was off. I was only about a 5 minute walk away from the south entrance, but managed to enter via the west entrance... in other words, I had gotten lost! :) As I approached the west gate, security was tight, but a crowd hadn't yet begun to form. I bought my ticket, moved through the metal detector, had my small bag inspected (no food allowed), received complimentary bottled water, and walked into the Jilaukhana ("forecourt"). Directly ahead was the eastern gate, and off to my right was the south gate, which I had somehow missed.

I started snapping photos right away - the Great Gate was the domineering structure here in the forecourt - let's not kid ourselves though: the view on all sides was pretty amazing. I moved towards the Great Gate and was impressed by the pristine condition of everything in sight. The lawn and shrubbery were neatly trimmed and there was no litter in spite of the constant foot traffic. I could see that passages from the Qur'an were inscribed on the Great Gate, and, typical to many Mughal-era structures, the passageway had high, vaulted ceilings and a symmetrical design framed on the top and upper corners by lookout towers with highly detailed carvings. I hadn't yet made my way to the mausoleum, but was already quite impressed.

Tourists started to stream in through the gates, so I thought it wise to keep moving. I went through the Great Gate, which was the only way to enter the main courtyard, and stopped as soon as I saw the mausoleum. It was unbelievable - shining white marble, with a dome covering the building as tall as the building itself, and four minarets on the corners, each leaning slightly away from the structure (in the event of an earthquake, they would fall away from the mausoleum). There was a series of reflecting pools in the courtyard in addition to neatly trimmed trees which lead the viewer directly to the white marble mausoleum.
As I made my way toward the burial place of Mumtaz Mahal and her husband Shah Jahan (they are actually entombed under the main chamber, buried facing Mecca), I did so slowly. As you can probably imagine, numerous tourists were assuming a variety of poses and angles as they snapped photos of their surroundings, and that's when I was approached. I was doing my best to take photos of the grounds when a guide came up to me; although he spoke little English and I spoke even less Hindi (which is to say none...), he pointed to my camera and indicated he would take photos of me with the Taj Mahal in the background (for a nominal fee, of course). From multiple angles, he shot pictures of the structures around us, the Taj's reflection in the wading pool, and even some photos of me with the perfectly hedged shrubbery in the background. After all this, I was truly pleased at his photos (they were MUCH better than mine). I gave him a tip, and went on my way: it was time to make my way to the mausoleum.

The mausoleum and its mosques are built on a raised foundation, and before heading up to the platform, I had to remove my shoes. First, I made my way to a red sandstone structure on the mausoleum's western side. This building is a mosque, divided into three chambers - a main, central sanctuary with two smaller sanctuaries on each of its sides. The mosque was constructed to resemble another of Shah Jahan's major construction projects: the Jama Masjid 200 km away in Delhi. Each of the three sanctuaries opens to a vaulted ceiling and the roof holds three domes above each chamber.
From here, I was able to see the western side of the mausoleum and across the Yamuna River, where I had seen the Taj Mahal the previous day. On the other side of the riverbed, eager tourists appeared as small as tiny ants. I ascended another set of stairs to approach the mausoleum from the front and could hardly believe I could touch it, lean against it, and photograph it. My eye was drawn to the precision of the inlaid carvings and inscriptions on all sides of the structure. The symmetry, the detailed marble lattice, and the writing bordering the vaulted archways served as reminders of the technical prowess that had been achieved under the Mughal emperors. Shah Jahan didn't leave any doubt: this building was constructed by a powerful emperor.

Tourists were allowed to enter the ground floor of the mausoleum, but inside the dark enclosure, no photos were allowed. A circular fence surrounded the cenotaphs of Shah Jahan and Mumtaz Mahal. From here, there is only one place to go: off to the right and down a hallway to an exit. Muslim art of complex geometric patterns (these patterns are in Muslim structures all over the Middle East) were found all over the marble walls and ceilings. Carvings of vines, flowers and fruits into the marble covered much of the rest of the interior. I made my way back outside, astonished at the quality of construction and marveling at the carvings and history carried forward by this well-preserved structure.

The last building I saw in the complex is known as the jawab ("answer"), a building which had no religious purpose to its construction, but reiterates the themes of symmetry and balance. The floors of the mosque across the way are meant to accommodate prayer rugs while the jawab's floor isn't. It is similar, however, in that it has high vaulted ceilings, and large domes on its rooftop. It also has highly detailed carvings and patterns typical of Muslim design. To me, when looking at the three buildings simultaneously, there are no obvious differences between the two structures facing the mausoleum.
Before heading out of the main complex, I stopped at the Taj Museum, a relatively minor structure (but still impressive in its architecture and external carvings) at the western edge of the main garden. It is covered in red sandstone, and is smaller than either the mosque or jawab. There is a long reflecting pool leading up to the building, however it was empty when I was there. This tiny museum displayed photos of the rehabilitation of the Taj and its surrounding lawns completed by the British in the late 19th and early 20th centuries.

I made my way towards the exit, back through the Main Gate, just as the late-waking throngs were beginning to arrive. It was just before noon, and I could hardly believe the three hours I spent passed so quickly. The Taj Mahal is certainly India's most popular destination, however, like many of the world's magnificent structures, it represents only a single historical era; in that sense, the idea that one man is able to accumulate the resources, both material and human, to construct such a monument is a blend of misdirected ego and hubris in addition to an unparalleled command of technology and construction.
I spent the rest of the afternoon uploading photos to facebook and packing my bag before heading to the train station to board the train for my next destination: Varanasi!























